Up one level
- Take Negoro (Bambo Negoro)
- Aka-Negoro (Red Negoro)
- Kuro-Negoro (Black Negoro)
- Aka Kin Kumo (Yellow Clouds in Red Sky)
- Kuro Kin kumo (Yellow Clouds in Black Sky)
- Enbu-Negoro (Dancing Fire Negoro)
- Ki-Enbu Negoro (Yellow Dancing Fire Negoro)
- Modern Art Negoro
- Momo Negoro (Peach Color Negoro)
- Beiten-Negoro (Rice Grain Negoro)
- Kuro Ishimeji (Black Stone Surface)
- Iro Ishihada (Colore Stone Surfaces)
- Chadô-Fundame (Copper Ground)
- Fundame (Gold Ground)
- Aka Kinmaki (Gold Whirls in Red Ground)
- Momo Kinkumo (Yellow Clouds in Peaches Color Sky)
- Namban Kawarinuri (Southern Barabarian Lacquer)
- "CADUCEUS" a Doctor's Pocket Pen
- Damascus
- Mokumegane (Layered metal sheets)
- Tame Hirame (Nashiji with transparent Final Coat)
- Water Buffalo Horn
- Kumo Raden (Cloud Raden)
- Kongô Nashiji (Diamond Nashiji)
- Momiji Yamamaki-e (Maple Leaf Black on Black)
- Ebony Wood
- Susutake Burl
- Susutake Flat Top
- Susutake Regular
- Momiji Maki-e
- Fubuki
Beiten-Negoro (Rice Grain Negoro)
Description:
"Beiten-Negoro" is another version of a negoro lacquer I call "Beiten-Negoro".
The precise term would be "Beiten-Moyo-Negoro-Nuri".Beiten = Rice Grain, Moyo = Pattern. The design was achieved by appliying rice grains on wet lacquer
Negoro Nuri lacquerware with an undercoat of black lacquer covered by a coat of red lacquer or vice versa used as vessels for food and drink offerings to the gods and buddhas, tableware and drinking vessels, tea utensils, and stationery came to be known as negoro. This term originates from Negoro-ji, a temple in Kishu.
"Yô no bi" beauty through use is an important aestetic aspect of "negoro-mono". Therefore the surface of negoro-nuri appears not as glossy and even as the surface of the "Tame-Negoro-Nuri"
This pen is available with round or flat ends
Standard Size
Reference Number: T-100x17-BTN
Pen Type Tanto
Pen Nib: Size No. 6 (750/18 Kt Gold)
Artisan: Martin Pauli